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		<title>Vertigo Analysis: Hitchcock &#038; 10 Directors Reframe Obsession</title>
		<link>https://imaginarytalks.com/vertigo-analysis/</link>
					<comments>https://imaginarytalks.com/vertigo-analysis/#respond</comments>
		
		<dc:creator><![CDATA[Nick Sasaki]]></dc:creator>
		<pubDate>Tue, 22 Apr 2025 01:50:04 +0000</pubDate>
				<category><![CDATA[Movie]]></category>
		<category><![CDATA[Almodóvar Vertigo femme fatale]]></category>
		<category><![CDATA[cinematic doubles in Vertigo]]></category>
		<category><![CDATA[directors discuss Vertigo]]></category>
		<category><![CDATA[directors reinterpret Hitchcock]]></category>
		<category><![CDATA[Greta Gerwig on Vertigo]]></category>
		<category><![CDATA[Hitchcock Vertigo analysis]]></category>
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		<category><![CDATA[Wong Kar-wai identity cinema]]></category>
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					<description><![CDATA[Alfred Hitchcock: &#160;(Scene: The stage is lit in red velvet shadows. A spiral-shaped chandelier slowly rotates above. Hitchcock walks forward, hands clasped, addressing both the directors and the audience with sharp wit and calm control.)&#160;When I made Vertigo, they didn’t call it a masterpiece. They called it indulgent. Slow. Confusing. And yet here you are—decades [&#8230;]]]></description>
		
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