Introduction by Robert Wilson (Director) When I think of The Waste Land, I don’t approach it as a scholar but as a builder of worlds. Eliot’s lines feel less like literature and more like fragments of architecture—shards of stone, beams of light, sudden silences. The stage, then, becomes a kind of desert cathedral where those fragments can be held in suspension. … [Read more...] about The Waste Land Reimagined: Eliot’s Poem as Dialogue